Sunday, October 31, 2010

Mao's Last Dancer (Soundtrack) by Christopher Gordon - Review

Mao's Last Dancer (Soundtrack) by Christopher Gordon - Review


A Dance to Remember
Review by Marius Masalar

The music of CHRISTOPHER GORDON will no doubt already be familiar to readers of Tracksounds since we recently covered the Australian’s dark score for DAYBREAKERS. In that review, I mentioned that GORDON’s most notable score was not DAYBREAKERS or MASTER AND COMMANDER, but MAO’S LAST DANCER, and now that the film has been widely released in theatres since August, it’s finally time to take a closer look at this fine score that earned him a Best Original Score award from the American Film Institute.

Considering the almost documentary-level intimacy of the story, it’s no surprise that the musical score is, for the most part, quite reserved. That being said, when highlighting the movie’s most dramatic moments, GORDON allows himself to unleash the full breadth of his considerable musical abilities. This is immediately evident in the rousing and mystical opening track, “Out of the Well” (1). The film’s primary theme is introduced softly on a Chinese flute before the more active secondary theme takes over. Over the course of just under two and a half minutes, we are presented with an extremely attractive and charismatic blending of Eastern and Western sensibilities with some very idiomatic writing for both hemispheres of instrumentation.

Read the full review

Assassins Creed: Brotherhood feat. Score by Jesper Kyd

Assassins Creed: Brotherhood feat. Score by Jesper Kyd

Are you looking forward to the next ASSASSINS CREED game?  You should be.  In addition to the fun to be had playing it's multiplayer option, the score promises to be something special, once again, with JESPER KYD at the composing reigns!

The incredible-looking Collectors Edition comes with the game soundtrack as well:



Look for more epic coverage of this title in the weeks to come, but for now...the official presser...


ASSASSIN'S CREED® BROTHERHOOD FEATURES MASTERFUL RENAISSANCE MUSIC SCORE BY WORLD-RENOWNED COMPOSER JESPER KYD

Original Soundtrack to be released November 16 on iTunes

Los Angeles, CA - October 27, 2010 - BAFTA award-winning composer Jesper Kyd has composed an original music soundtrack for Ubisoft®'s Assassin's Creed Brotherhood, the next iteration of the critically acclaimed, multi-million selling video game franchise. Assassin's Creed Brotherhood is inspired by historical events during the occupation of Rome by The Borgias in 1503. Kyd's new music score for Brotherhood draws influence and authentic instrumentation from this Renaissance period, immersing players in Ezio's adventures to liberate Rome from a corrupt and tyrant regime. The Assassin's Creed Brotherhood Original Soundtrack will be available for digital download from iTunes on November 16, 2010, to coincide with the North American release of the game on Microsoft Xbox 360® video game and entertainment system and the Sony PLAYSTATION®3 computer entertainment system.

"Researching the history of the Borgia Family it became clear early on that Assassin's Creed Brotherhood would require a very dark score in order to match the Borgias' aspirations to become the rulers of Italy. The music reflects the compelling story of Ezio as a Master Assassin going up against the Borgias," said Kyd.

Kyd's globally acclaimed score for Assassin's Creed® 2 continues to receive top honors for Best Original Music including the Gold Spirit Awards, Hollywood Music In Media Awards, GameSpot Readers' Choice, GameSpy Editors' Choice, Game Audio Network Guild Awards as well as recognition from the British Academy of Film and Television Arts, Academy of Interactive Arts and Sciences, International Film Music Critics Association, Golden Joystick Awards and Spike TV VGAs.

In Assassin's Creed Brotherhood the critically acclaimed single player experience of Assassin's Creed is back and better than ever as Ezio returns in an enduring struggle against the powerful Templar Order. Now a legendary Master Assassin, he must journey to Rome, center of power, greed and corruption to strike at the heart of the enemy. Defeating the corrupt tyrants entrenched there will require not only strength, but leadership, as Ezio commands an entire Brotherhood that will rally to his side. Only by working together can the Assassins defeat their mortal enemies. Assassin's Creed Brotherhood is also the first time the franchise has featured a multiplayer gameplay experience, which has already received numerous industry awards.

Assassin's Creed Brotherhood is a worldwide production effort led by the Ubisoft Montreal development studio in collaboration with Ubisoft studios in Singapore, Bucharest, Québec City and Annecy. Assassin's Creed Brotherhood will ship on November 16, 2010 for the Microsoft Xbox 360® video game and entertainment system and the Sony PLAYSTATION®3 computer entertainment system. For more information about Assassin's Creed Brotherhood, please visit, please visit www.assassinscreed.com.

Saturday, October 30, 2010

Howl (Soundtrack) by Carter Burwell - Review



"Howl's Victim"
Review by Richard Buxton


The story of a poet and his work is perhaps one that is not often told; rather it is the poet who tells the stories. Therefore an insight into their personal world is not one that is often sought after. However, those with any knowledge of “Howl’s” protagonist and his political struggles throughout his life’s work will seek the production out.

Directors Rob Epstein and Jeffrey Friedman employed a number of techniques in their imagining of the life of American poet Allen Ginsberg. Centred on the simultaneously lauded and loathed poem "Howl", Epstein and Friedman employed a variety of styles to portray the key moments in the life of the controversial poet. Ranging from black and white to full blown animation, the story of this highly political artist is particularly vivid. The experience of listening to CARTER BURWELL’s efforts in HOWL however is often a testing one, one that rarely rewards the listener. The music though does undeniably mirror the film it accompanies in its style and technique.



Read the full review

Tuesday, October 26, 2010

Trailer of Daft Punk's Soundtrack to Tron: Legacy



As if there weren't enough internet buzz surrounding DAFT PUNK'S upcoming score for TRON: LEGACY, we now have a video trailer featuring the track "Derezzed" from the upcoming soundtrack release.

Daft Punk's music has certainly been some of the most talked about film scores this year and a highlight element from the film itself.  I'm definitely liking the trend of releasing teaser soundtracks, a la THE SOCIAL NETWORK, and now a video trailer for a score.

Let's hope original scores continue to get increased attention like this.

Saturday, October 23, 2010

Piranha 3D (Soundtrack) by Michael Wandmacher - Review

Piranha 3D (Soundtrack) by Michael Wandmacher - Review

No Safe Shores
Review by Marius Masalar


Pulp horror fans have been delivered a treasure trove of B-movie goodness in the form of PIRANHA 3D. It’s the perfect recipe for the genre: gratuitous violence and gore dressed up in gimmicky 3D. Oh, and it’s a remake. However, considering that’s precisely what director Alexandre Aja promised to deliver, the film is a resounding success. But beyond the blood and boobs (plenty of both), there lies another element that deserves mention and, yes, even praise: MICHAEL WANDMACHER’s musical score. The score is just as gratuitous, loud, and angry as the rest of the film, so you’re in for a treat (if that kind of thing floats your boat, so to speak).

“Whirlpool” (1) starts us off with a bang: screaming orchestra swirls over a bed of deep bass beats and large percussive hits before dissolving into a flurry of buzzing strings. “Pirahna” (2) introduces the deliciously old-fashioned X-Files-like main theme on a creepy piano, hovering over some seriously distorted string elements, before things calm down briefly for the ambient “Empty Boat” (3). “Cold Feet” (4) is an unassuming solo guitar line that broods and hints at peace while maintaining a sense of uneasiness, one which “The Cave” (5) expands upon — there are no safe shores in these waters.

Read the full review here

Thursday, October 21, 2010

007 Blood Stone Scored by Richard Jacques

007 Blood Stone Scored by Richard Jacques

Well the next JAMES BOND film may be on ice, but thankfully we have the video game world to take up the slack.  007 BLOOD STONE is set to release on November 2 on Xbox 360, Playstation 3, PC, and Nintendo DS.  It will feature the voice talents of James Bond, himself - Daniel Craig.

Veteran game composer RICHARD JACQUES (Mass Effect, Headhunter, Starship Troopers) steps into the composing-wingtips of John Barry and David Arnold - bringing fans their next musical dose of 007.  The score was most appropriately recorded at Abbey Road Studios and the soundtrack features over 2 hours and 20 minutes of music!

Check out the official game site for, what appears to be, a taste of Jacques upcoming score and look for more upcoming coverage for 007 BLOOD STONE here at Tracksounds in the upcoming weeks!

Wednesday, October 20, 2010

Knight and Day (Soundtrack) by John Powell - Review

Knight and Day (Soundtrack) by John Powell - Review


The Bourne Romantic-Comedy
Review by Steve Townsley

I am an unabashed JOHN POWELL enthusiast. He is, in this reviewer’s opinion, one of the top composers of today. Powell brings a seemingly inexhaustible fresh approach to the films that have the pleasure of being scored by him. I was incredibly pleased to visit his newest score to the Tom Cruise/Cameron Diaz action flick, KNIGHT AND DAY. (I’m going to check it out, the previews look decent.) But, as I haven’t seen the movie yet, my take on the score is going to rely solely upon the merits of the music itself.

I kinda like this approach when it comes to film music. I think music (and most music in general) is made good by two features:

1) What it makes you think.
2) What it makes you do.

In this instance, the answers are 1) fun action, and 2) tap my fingers and feet a lot.

I think Powell has really captured the heart of the action-rom-com, and the formula is simple: Treat it like a dance. Really. Many of the cues here feel like rapid ballroom dance numbers, with extra zest. Some of them might be a little too rapid, a little too zesty, but overall, his approach works. A lot. The crazy Latin strings and beat in “Hostage” (Track 5) are so much fun to soak in. Even his Parisian accordion lilts keep the listener more at ease, than tense. Strangely enough, Track 7, entitled “To the Island of Love” is among the score’s most tense action tracks. I think you can hear a bit of “Shrek” in Track 16 (“Bull Run”), but the flamenco guitar flavor is intense enough to keep your mind off of green ogres.

Read the full review here

Tuesday, October 19, 2010

Medal of Honor (Video Game Soundtrack) by Ramin Djawadi - Review

Medal of Honor (Video Game Soundtrack) by Ramin Djawadi - Review


Honor Regained
Review by Marius Masalar

The mighty hammer of elite film score criticism seems perpetually poised over RAMIN DJAWADI’s head, coming down hard on scores like IRON MAN and CLASH OF THE TITANS. This seems unfair. The larger body of laypersons appears far more pleased with the man’s work, and his ability to address them so directly is a measure of skill as a film composer, even if his craft is less cerebral and meticulous than that of others in the industry. His latest work — a first venture into a major video game title — seems to bring the best of his abilities to the table, polished over a long production period. And you know what? It’s worthy of acclaim. Here’s MEDAL OF HONOR.

Monday, October 18, 2010

Tamara Drewe (Soundtrack) by Alexandre Desplat - Review

Tamara Drewe (Soundtrack) by Alexandre Desplat - Review


Desplat’s “Drewe” Disappointing
Review by Steve Townsley

Alexandre Desplat’s music for film in general strikes me with the quality of being not offensive on the ears, but neither is it highly memorable. I keep waiting for him to surprise me with something, though, because I think all composers have something to offer, even if that something eludes (or continues to elude) the devoted or casual listener. TAMARA DREWE is the latest film which features Desplat’s scoring. I have listened to it several times, now, and find it memorable. However--that may not be a good thing herein.


Read the Full Review here

Thursday, October 14, 2010

Waiting for Superman (Soundtrack) by Christophe Beck - Review

Waiting for Superman (Soundtrack) by Christophe Beck - Review

Beck goes minimal for “Waiting”
Review by Steve Townsley

A score for a documentary is a very tricky thing. Documentaries are certainly subject-driven and intended to illuminate and educate the viewer. I have read, in the past, that “purist” afficianados of the Classical music genre often decry film music as being “too manipulative”, though this strikes me as something of a quandary, as I find music intentionally evocative. Taking an auditory medium and aligning it with a visual medium steps too far beyond the acceptable for some, however.

Film music intends to make the view feel something, if only subconsciously, about the subject being viewed. But in a documentary, which strives to tell a story, albeit a non-fiction one, is music still manipulative, or does it fill some other void?

CHRISTOPHE BECK’s WAITING FOR SUPERMAN made me ponder exactly what purpose the music fills in a documentary, and whether that it is intended to stand alone, as music. Even as a film music listener, myself, I know that seems to smack of heresy. But I’ve heard a few documentary scores before, from the haunting (Phillip Glass’ “Fog of War”) to the epic (Howard Shore’s “Looking for Richard”). Beck’s “Waiting” tends to lean more towards the Phillip Glass end of the spectrum, being sparse, gently repetitive, and at no point overwhelmingly emotive. Good thing/bad thing? Depends on what you want out of music, film music in particular.

Read the full review here

Monday, October 04, 2010

Patrick Doyle Scores Sir Billi, Plus Video Interview

Sir Billi - Original Score from Patrick Doyle (Video Interview)


“SIR BILLI” CREATIVE TEAM ANNOUNCES COMPLETION OF MUSICAL SCORE BY OSCAR-NOMINATED COMPOSER PATRICK DOYLE FOR SCOTLAND’S FIRST FULL-LENGTH ANIMATED FEATURE FILM


Los Angeles– October 1, 2010 – Glasgow-based Billi Productions Ltd. announced today the completion of the musical score composition and orchestral recording for “Sir Billi,” Scotland’s first full-length animated feature film that is now in the final stages of post production. Internationally recognized film composer Patrick Doyle wrote the score, working with the film’s husband and wife creative team, Sascha Hartmann, who directed the movie, and Tessa Hartmann who wrote the script.

Patrick’s Oscar®-nominated work on the original score for “Hamlet” (1996-Best Music, Original Dramatic Score) and “Sense and Sensibility” (1995-Best Music, Original Dramatic Score), as well as his original scores for the hit British comedy “Bridget Jones Diary” (2001) and Saturn Award-nominated “Harry Potter and the Goblet of Fire” (1996) attracted the Hartmann’s to approach Patrick to compose and record the original score for “Sir Billi.”

“We are thrilled with Patrick’s uncanny ability to capture the true essence of ‘Sir Billi’ through his music and bring it to life in this new dimension,” said Sascha Hartmann. “Patrick has such a keen musical sense and created just the right nuances to convey the highs and lows of Sir Billi’s adventures on his quest to save Bessie Boo the Beaver.”

Patrick was inspired to write the theme to the original score on the spot, as the melody of the theme came to him while speaking with Sascha Hartmann about the direction of the score—something Doyle says has only happened twice before in his career.

“Sir Billi’s endearing multi-generational family story and cliff-hanger action spikes in the storyline provided me with just the right elements to compose a score I’m proud to say is among my best work to-date,” said Doyle. “My goal was to shine a light on the soul of this colorful cast of loveable characters through the power of music.”

“Being a part of Sir Billi meant so much because animation has always been a fascination of mine especially because I am from Scotland and know all of the areas where the film is based,” said Doyle.
“The fresh look of ‘Sir Billi’ and its original storyline gave me all the inspiration needed to create some of the best composition work I feel I’ve done.”

“Sir Billi” is an adventure story about the power of a remote Scottish community held together by an eccentric, skateboarding and retired veterinarian played by Sir Sean Connery and their race to save an illegal fugitive – Bessie Boo the Beaver. Sir Billi braves treacherous ravines and hazardous waters as he and the village clash with the law in their fight to rescue Bessie.

The husband and wife creative team were also very involved in the soundtrack for the film, with the five original songs in the film composed by Sascha, and the lyrics written for the songs by Tessa. The first song announced and opening title track of the film, “Guardian of the Highlands,” was performed by Dame Shirley Bassey and produced by the film’s director Sascha Hartmann. Best known for recording the theme songs to the James Bond films Goldfinger, Diamonds Are Forever, and Moonraker, Bassey is once again teaming up with Sir Sean Connery, who lends his voice as Sir Billi, the lead character in the film.


LISTEN TO “BILLI’S THEME”


WATCH BEHIND THE SCENES INTERVIEWS WITH PATRICK DOYLE



ABOUT “SIR BILLI”
When tragedy strikes in the Scottish Highlands, there can be only one man for the job - Sir William Sedgewick, aka Sir Billi (Sir Sean Connery)! An adventure story about an inimitable Highland hero – a grandpa and active senior skateboarding veterinarian who goes above and beyond the call of duty fighting villainous policemen and powerful lairds in a battle to save an illegal fugitive – Bessie Boo the beaver!

The heart-warming and hilarious action-packed family movie, where thrilling car chases, heroic skydiving and daring stunts from this octogenarian, fueled with encounters with a hostile submarine, will keep you at the edge of your seat!

ABOUT BILLI PRODUCTIONS LTD
Billi Productions Ltd was founded in 2005 by Sascha and Tessa Hartmann, Sir Sean Connery and John Fraser (investor) to own the copyright and all film rights to the intellectual property that is “Sir Billi.” Production is being carried out by parent company Glasgow Animation Ltd., an independent studio based just outside Glasgow. This small animation studio is a wealth of young and ambitious creative talents who have produced Scotland’s first full length animated feature in-house. To learn more about Billi Productions please visit: www.billiproductions.com.

Sunday, October 03, 2010

Behind the Score: The Music of the Lord of the Rings Films

Behind the Score:  The Music of the Lord of the Rings Films

Likely the most appreciated, analyzed, and awarded scores of the new millennium has been HOWARD SHORE'S epic, original score for Peter Jackson's LORD OF THE RINGS TRILOGY. Years after the some of the most complete soundtrack releases ever, comes the lost awaited book and CD release, THE MUSIC OF THE LORD OF THE RINGS - A Comprehensive Account of Howard Shore's Scores. This unique volume was researched, compiled and written by author DOUG ADAMS alongside Howard Shore and his creative team. The result is an even more detailed look at, not only the music, but it's evolution.

Tracksounds is proud to bring you this in-depth look "behind the score" of The Lord of the Rings. In this edition:

- SoundCast Interview with author Doug Adams
- Book review by Peter Nickalls
- Rarities CD review by Peter Nickalls
- Select photos from the Signature Session in London.


Check out Behind the Score here

Saturday, October 02, 2010

Composer Inon Zur in Fallout New Vegas Developer Diary.



Attention Inon Zur fans!

The venerable game composer, INON ZUR, appears briefly towards the conclusion of this interesting developers diary regarding the upcoming FALLOUT NEW VEGAS.  Sounds like we get the tiniest of glimpses into what Zur may have in store for us.

The game is looking like some real post-apocalyptic fun to be had, too!


Friday, October 01, 2010

Does the word "Epic" Come Up on Your Hard Drive? - Castlevania: Lords of Shadow




Watching this trailer for the soon-to-come CASTLEVANIA: LORDS OF SHADOW from E3 2010, you are seeing what "epic" is all about.  Great art direction, great photography, quality voice acting...and then there's the score.

While MICHIRU YAMANE, who scored the memorable music from the historic CASTLEVANIA series, isn't present, we are still treated to something  special here.  OSCAR ARAUJO'S music dives right into the realm of "epic" as well...clearly keeping stride with all of the other aspects of this game.

Not a household name just yet, but you and I and would do well to keep our ears on Araujo's work from now on.  He's clearly got the goods so many are desperately looking for in both the video game and film music worlds these days.


If you really want to get this epicness on your hard drive, you can pre-order it and in the Limited Edition, the original score is included!

Find out more about composer OSCAR ARAUJO here