Cinematic Metal
by Christopher Coleman
Since mid-2006, there were rumblings of a new kind of movie on the horizon. Director Zack Snyder had already broken away from the norm with his work for SIN CITY, but was positioned to distance himself and his work even further with his next project, 300, a film adaptation of another Frank Miller graphic novel. Since then, much ado has been made about the director's strong visual aesthetic for the film... and rightly so. Without a doubt, 300 is a film that truly bombards one's ocular organs, but Snyder didn't stop there. Brought on to match the visual intensity of this film was composer Tyler Bates.
by Christopher Coleman
Since mid-2006, there were rumblings of a new kind of movie on the horizon. Director Zack Snyder had already broken away from the norm with his work for SIN CITY, but was positioned to distance himself and his work even further with his next project, 300, a film adaptation of another Frank Miller graphic novel. Since then, much ado has been made about the director's strong visual aesthetic for the film... and rightly so. Without a doubt, 300 is a film that truly bombards one's ocular organs, but Snyder didn't stop there. Brought on to match the visual intensity of this film was composer Tyler Bates.
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