Örvarsson's Emerging Voice
Review by Edmund Meinerts
A love story set against the horrific backdrop of the Auschwitz-Birkenau concentration camp, the Czech film COLETTE would seem to be the last place you’d expect to find a composer bred from HANS ZIMMER’s ubiquitous Remote Control studio; ordinarily one finds them on all sorts of B-rate thrillers and action movies. And while ATLI ÖRVARSSON has scored his fair share of those, he now seems to be branching out considerably, with 2013 turning out to be a varied and prolific (if not a little hit-and-miss) year for the Icelandic composer.
No comments:
Post a Comment
Thank you for posting your comment! As soon as we verify that it is suitable for publishing, it will be published.