Showing posts with label inception. Show all posts
Showing posts with label inception. Show all posts

Thursday, February 09, 2012

Evidence of an Iconic Score - Inception




Earlier today I came across an interesting use of Hans Zimmer's "Time" from the INCEPTION soundtrack. Even earlier this year, I stated that I thought Daft Punk's TRON: LEGACY and Zimmer's INCEPTION were two of the most iconic scores of the last decade. Of course, such a statement could be argued...and definitely was.

Having come across this SoundCloud track, I proceeded to share it with the twitterverse and beyond, reasserting the notion that this mash-up of Zimmer's "Time" with Charlie Chaplin's unforgettable and moving speech from THE GREAT DICTATOR, was conclusive evidence that INCEPTION has certainly become iconic - something that exists and is recognized far beyond it's original purpose and intent.

My original tweet:

I've now heard INCEPTION mashed-up w/ famous speeches, remixed, and made into a worship song. I re-assert that it is an iconic score.

My tweet was met with a good amount of agreement and also a lot of interest in seeing and hearing more of these mixes and mashups. So, what I've done here is to collect a few that demonstrates how "Time" and other segments of the INCEPTION score has gone on to be used and re-used in almost countless ways. The videos you'll find below are but a fraction of what's available on Youtube AND none of these feature Zack Hemsey's (now iconic in its own right) piece, "Mindheist," that was originally attached to the INCEPTION trailer.

You'll also note, at the bottom of this post, a couple of links to Youtube videos that would not allow embedding. I suggest you check out those as well.

It must be noted that Chaplin's speech was mashed up and mixed long before "Time" and so you should seek those out on Youtube as well. While the timing in the Zimmer/Chaplin mix could be a little better, I find it a very potent mix; moreso than those mixes which preceded it.

Lastly, I'll say that, of course, Zimmer's INCEPTION is not the only original score to be taken and mixed with other famous trailers or movie excerpts. You can find hundreds of them out there...some done even more effectively than those you'll find below. This post is purely to illustrate how Hans Zimmer's INCEPTION has most certainly become an iconic score.


























Toy Story 3 - Finale (Time) 


Tron - Legacy (Time) 



So what do you think of all this? Is Inception an iconic score or not? Tell us in the comments!

Saturday, October 22, 2011

Hans Zimmer - The Making of the Inception Score


Just in case you have forgotten just how amazing Hans Zimmer's score for INCEPTION is, we give you this making-of piece. If you don't think you'll appreciate this score even more, well, you're just dreaming.

You can check out our full review of Inception here or
download our podcast episode, "The Last Inception."

Saturday, January 15, 2011

16th Annual - Critics Choice Award Winners

16th Annual - Critics Choice Award Winners


In case you missed it last night, The Broadcast Film Critics Association's annual film awards were handed out last night at the CRITICS CHOICE AWARDS aired on VH1.  The big winners, as one might have guessed, were THE FIGHTER, THE SOCIAL NETWORK, and INCEPTION.

While INCEPTION bagged six total awards, glaringly missing from them was the Best Score award, which most devastatingly went to TRENT REZNOR AND ATTICUS ROSS for THE SOCIAL NETWORK.

While I offer up congrats to the duo, I am starting to tremble all the more as wins like this will only hasten the trend of more artists from other genres coming into the original score genre and delivering disappointing, albeit unique, experiences like THE SOCIAL NETWORK.  Of course, this movement is well under way with this same duo being linked to the remake of THE GIRL WITH DRAGON TATOO (the original film taking home the Critics Choice Award for Best Foreign Film), with DAFT PUNK in TRON LEGACY, and with THE CHEMICAL BROTHERS doing the upcoming HANNA.

While you rejoice in or mourn that winner, below we've listed all of this years winners:



BEST PICTURE: The Social Network

BEST ACTOR: Colin Firth – The King’s Speech

BEST ACTRESS: Natalie Portman – Black Swan

BEST SUPPORTING ACTOR: Christian Bale – The Fighter

BEST SUPPORTING ACTRESS: Melissa Leo – The Fighter

BEST YOUNG ACTOR/ACTRESS: Hailee Steinfeld – True Grit

BEST ACTING ENSEMBLE: The Fighter

BEST DIRECTOR: David Fincher – The Social Network

BEST ORIGINAL SCREENPLAY: The King’s Speech – David Seidler

BEST ADAPTED SCREENPLAY: The Social Network – Aaron Sorkin

BEST CINEMATOGRAPHY: Inception – Wally Pfister

BEST ART DIRECTION: Inception – Guy Hendrix Dyas and Larry Dias & Doug Mowat

BEST EDITING: Inception – Lee Smith

BEST COSTUME DESIGN: Alice in Wonderland – Colleen Atwood

BEST MAKEUP: Alice in Wonderland

BEST VISUAL EFFECTS: Inception

BEST SOUND: Inception

BEST ANIMATED FEATURE: Toy Story 3

BEST ACTION MOVIE: Inception

BEST COMEDY: Easy A

BEST PICTURE MADE FOR TELEVISION: The Pacific

BEST FOREIGN LANGUAGE FILM: The Girl with the Dragon Tattoo

BEST DOCUMENTARY FEATURE: Waiting for Superman

BEST SONG: “If I Rise” – performed by Dido and A.R. Rahman/music by A.R. Rahman/lyrics by Dido Armstrong and Rollo Armstrong – 127 Hours

BEST SCORE: The Social Network – Trent Reznor and Atticus Ross


You can visit the official site here.

Friday, August 06, 2010

SoundCast Episode 17 - Flash Over Substance

SoundCast Episode 17 - Flash Over Substance

Episode 17: Flash Over Substance

Recorded August 3, 2010
Published August 6, 2010


Flash Over Substance:  the crew gets back into compilations, Inception, Tron: Legacy, Predators, and the trend of big, Hollywood films focusing on flashy visuals at possibly the expense of everything else...including the music.

Episode Highlights

00:30 - Intro and Google Voice invasion
01:44 - Expecting the Expendables
04:00 - Compilation continuation
10:30 - Torchwood Talk + eMusic
14:00 - Inception reception
25:20 - Tron: Pre-Legacy
34:33 - Predator:  The Return of Helen San
41:59 - Pillars and Schmuks
43:59 - Flash Over Substance

Music Clips (Select music clips contained in this podcast)

10:35 - "What's Occuring" (Torchwood: Children of Men) Ben Foster
15:56 - "Half-Remembered Dream" (Inception) by Hans Zimmer
32:56 - "Predator Attack"
34:33 - "Hanzo's Last Stand" (Predators) by John Debney
42:38 - "Preluce to a Schmuk" (Dinner for Schmucks) by Theodore Shapiro
45:30 - " " (Prince of Persia) Harry Gregson-Williams
46:12 - "Earthbenders" (The Last Airbender) James Newton Howard
47:31 - "Prologue: Book II..." (Harry Potter and the Chamber of Secrets) by John Williams
49:30 - "Autobots" (Transformers) by Steve Jablonsky
54:40 - "There's a God in You" (Clash of the Titans) by Ramin Djawadi
55:38 - "Bioluminescence of the Night" (Avatar) James Horner



Tuesday, July 27, 2010

Soundcast Episode 16 - The Last Inception



Episode 16: The Last Inception
Recorded July 26, 2010
Published July 28, 2010

The SoundCast crew talks a little The Last Airbender, Inception, and about the love/hate relationship with Film music compilations.


Episode Highlights

00:30 - Intro and Google Voice invasion
06:28 - The Last Airbender discussion
21:35 - Inception discussion
38:26 - Film music compilations


Music Clips (Select music clips contained in this podcast)

05:48 - "The Avatar Has Returned" (The Last Airbender) by James Newton Howard
21:10 - "Dream within a Dream" (Inception) by Hans Zimmer
33:06 - "I Never Woke Up in Hand Cuffs Before" (Sherlock Holmes) by Hans Zimmer
37:55 - "Pearl & Dean Theme" (Asteroid) by Pete Moore
59:52 - "Cat Burglers" (Dinner for Schmucks) by Theodore Shapiro



Monday, July 19, 2010

Inception (Soundtrack) by Hans Zimmer - Review

Inception (Soundtrack) by Hans Zimmer - Review


Theme-weaver
Review by Christopher Coleman

I, like a few others, set director Christopher Nolan's latest project, INCEPTION, as the film that would save the Summer of 2010. Given Nolan's  track-record with efforts like MEMENTO, THE PRESTIGE, and THE DARK KNIGHT, there was good reason to do so. That amount of collective expectation; however, normally crushes the feeble foundations of most Hollywood, Summer movies. But that's actually where Nolan's strengths lie. His films, including INCEPTION, are built upon the foundation of solid storylines, compelling characters, and mind-bending concepts.

INCEPTION doesn't buckle under this weight. It thrives. While most Summer blockbusters go for high-tech, visual, cheap thrills - the type that so many are quite happy to plop their hard earned money down on, Nolan says to us, "Let me entertain your brain. Let me dazzle your eyes and ears. Let me give you an experience that will stay in your psyche long after you have vacated the theatre (...or at least until you return to see it again, that is).

While Nolan's early career found him paired with composer David Julyan, as the scope and gravitas of his projects grew, he has formed a new collaborative partnership with HANS ZIMMER. With BATMAN: BEGINS and THE DARK KNIGHT under their belts, (with notable contribution from JAMES NEWTON HOWARD) the two come together again to tell a doomed-love-story against the ultimate in corporate cloak and dagger, all while exploring the psychological realm of the dream. This unique concept opens the door to creative sound and musical possibilities that are rarely approachable in studio backed films. The end result is a sublime musical experience that is so tightly woven into the fabric of INCEPTION that it seldom, if ever, stands out on its own. At the same time, something indescribable or even quantifiable would clearly be lost, if this ZIMMER's score was to be removed.


Wednesday, July 14, 2010

Inception Premiere and Live Concert Performance with Hans Zimmer



INCEPTION PREMIERE AND CONCERT PERFORMANCE

Check the live performance of Hans Zimmer, Johnny Marr, and orchestra. Concert begins at about 8:30 in, but don't miss the niceties from Leonardo DiCaprio and Ellen Page about the Zimmer and the score...and some words from Zimmer, himself.