Showing posts with label Jerry Goldsmith. Show all posts
Showing posts with label Jerry Goldsmith. Show all posts

Saturday, May 20, 2017

Soundcast (Ep. 90) The Soundcast Six Vol. 3


Episode 90 - The Soundcast Six Vol. 3
In this volume, Kristen Romanelli, Erik Woods, and Christopher Coleman a new set of six stories from the soundtrack world:  The Guardians of the Galaxy Vol. 1 vs Vol. 2 twitter poll, The Orville with music by Bruce Broughton an Joel McNeely, The death of the MP3, The Star Trek; Legacy mashup, Henry Jackman on Jumanji and Jerry Goldsmith finally gettin his star on the Walk of Fame.

Episode Highlights

00:00 - Burnin' the Six Mix - Intro
03:29 - #1 - Guardians Volume-Off, Bro
24:13 - #2 - The Orville Crew: Broughton and McNeely
34:36 - #3 - MP3: Dead of Alive?
47:39 - #4 - Star Trek: Punked
55:53 - #5 - Jackmanji
62:19 - #6 - Jerry Goldstar
72:02 - Wrap up

Music Selections

00:00 - "Guardians Inferno - (Guardians of the Galaxy: Mixtape Vol 2) by The Sneepers
23:22 - "Lost in Space" - (Lost in Space) by Bruce Broughton
46:57 - "The Game Has Changed" (Tron: Legacy) by Daft Punk
50:05 - "The Enterprise" (Star Trek: The Motion Picture) by Jerry Goldsmith
55:21 - "The Exorcism of Jonah Hill" (This is the End by Henry Jackman
61:29 - "It's a Long Road" (First Blood) by Jerry Goldsmith
72:29 - "Mr. Blue Sky - 8-Bit Version" (8-Bit Chip Shwang) by 8-Bit Universe

Notes:

Most of the soundtracks mentioned in this episode can be found at Amazon.  Your purchases through these links help us to keep on keepin' on!  Thank You!




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The official podcast of Tracksounds.com, The SoundCast is hosted by Christopher Coleman and features reviews and discussions centered around film, TV, and video game soundtracks. Special edition episodes include interviews with composers and other industry professionals.

The Soundcast Stereo is co-hosted by Christopher Coleman and Erik Woods (Cinematic Sound Radio).  Each episode is a 30 minute (ish), two channel conversation about the world of film, television, and video game music.

Saturday, May 19, 2012

Star Trek: The Motion Picture Soundtrack Celebration from La La Land Records

Star Trek: The Motion Picture Soundtrack Celebration from La La Land Records


CREATURE FEATURES AND LA-LA LAND RECORDS INVITE YOU TO BOLDLY GO TO THE “STAR TREK: THE MOTION PICTURE” SOUNDTRACK CELEBRATION 
JUNE 4, 2012, 7:30PM, AT THE ARCLIGHT CINEMAS IN HOLLYWOOD
6360 W. SUNSET BLVD., LOS ANGELES, CA 90028


Join us in celebrating the release of the all-new, deluxe 3-DISC LIMITED EDITION soundtrack release of Jerry Goldsmith’s “STAR TREK: THE MOTION PICTURE”  with a one-of-a-kind, multi-media event featuring:

  • A LANDMARK LIVE PANEL DISCUSSION & PRESENTATION EVENT, including exclusive video and audio clips, a live “BLASTER BEAM” DEMONSTRATION and MORE!
  • CD SOUNDTRACK SIGNING (Get your copy of the soundtrack at the event, for a special price, before it’s official release on June 5th!)
  • “TMP” PROPS AND COSTUME DISPLAY
  • A SCREENING OF “STAR TREK: THE MOTION PICTURE – THE DIRECTOR’S EDITON” (DVD source)

Film music writer and author of “The Music of Star Trek” JEFF BOND hosts a live PANEL DISCUSSION/PRESENTATION event that examines one of legendary composer Jerry Goldsmith’s most iconic and esteemed works.

PANEL GUESTS SCHEDULED TO ATTEND: Original TMP soundtrack album and TMP re-issue soundtrack producer, and longtime Goldsmith recording engineer BRUCE BOTNICK, TMP synthesizer and beam performer CRAIG HUXLEY, TMP session violinist and renowned composer DAVID NEWMAN, TMP soundtrack re-issue producer and TMP “Director’s Edition” restoration supervisor MIKE MATESSINO, TMP director of cinematography RICHARD H. KLINE and other special guests TBA!

This first-ever live event to focus on Goldsmith’s masterful TMP score will feature exclusive video and audio clips, as well as a rare, live demonstration by CRAIG HUXLEY of his famed “BLASTER BEAM” instrument, used prominently in TMP’s score and sound design.

Get the soundtrack before its general release at the show!  STAR TREK: THE MOTION PICTURE (3-CD SET) SOUNDTRACK will be available for purchase at the event for the special price of $30 (cash only).

Then get your CD signed by BRUCE BOTNICK and CRAIG HUXLEY at the event!

After the panel presentation and signing, stay for a SCREENING OF “STAR TREK: THE MOTION PICTURE – THE DIRECTOR’S EDITION.” (DVD source)


ADVANCE EVENT TICKETS ARE $17.50 each and are available for purchase at www.creaturefeatures.com


TICKETS will also be available at the door for $20 each.




Star Trek The Motion Picture 3-CD Soundtrack by Jerry Goldsmith


STAR TREK: THE MOTION PICTURE (3-CD SET)
Music by Jerry Goldsmith
LIMITED EDITION OF 10000 UNITS
Available for Pre-Order on Tuesday, June 5, 2012

La-La Land Records, Sony Music and Paramount Pictures boldly go where no soundtrack reissue has gone before with this deluxe 3-CD set of 1979‘s STAR TREK: THE MOTION PICTURE, composed and conducted by Jerry Goldsmith.

The first big screen voyage of Captain Kirk and Mr. Spock was a high budget and ambitious undertaking that introduced Goldsmith’s famous and enduring Star Trek march (later used as the main theme for Star Trek: The Next Generation) as the cornerstone of an epic science fiction musical odyssey. Like the film’s refit starship Enterprise, La-La Land’s lavish presentation presents the score anew: fully restored, remixed and mastered from the first generation multi-track masters by Bruce Botnick, the original album co-producer and Goldsmith’s long time scoring engineer.

“To put together the complete score the decision was to go back to the original Analogue 16-track 2-inch 30 i.p.s. masters,” Botnick explains. “John Davis at Precision Audiosonics baked each of the 37 rolls in a convection oven at 110º for eight hours so that they were playable, then rolled out a marvelous 3M 56 IsoLoop 16-track machine with brand new heads. The tapes were resolved at 60Hz to maintain the original orchestral pitch and sync. The Analogue-to-Digital transfer was done from the 16-track through the latest Black Lion A/D convertors and recorded to Pro Tools X at 192kHz 24-bit.”

This 3-CD set presents the score for the 1979 theatrical release (filling disc 1 and part of disc 2) and also premieres the legendary early “rejected” cues that Goldsmith recorded prior to composing his famous main theme. The 1979 album program (much of which is performed and edited differently as compared to the film) completes disc 2, with disc 3 offering additional alternates (including those heard on the previous Sony expanded release) along with a wealth of bonus material. Among the highlights are a collection of early takes of the “Main Title” (including extensive stage chatter), isolated segments featuring Craig Huxley’s famous “blaster beam” and assorted synthesizer excerpts, the domestic CD debut of Bob James’ disco cover version of Goldsmith’s theme and Shaun Cassidy’s vocal version of the love theme, “A Star Beyond Time.”

Reissue co-producer Mike Matessino (who handled restoration and editorial efforts) collaborates with Jeff Bond on the thoroughly researched album notes which feature interview excerpts by Goldsmith, Botnick and performers Huxley and David Newman. The clamshell packaging and 40-page full color booklet are designed by Jim Titus.

“It has been an honor to be able to work with the original recordings of this music and to document its production,” Matessino says. “This is one of the greatest scores of all time and everyone involved took the responsibility very seriously and happily devoted months to see it come together. The clarity and quality we now have is truly amazing. Thanks to the efforts of La-La Land Records, Sony Music and Paramount Pictures, the end product is an embarrassment of riches and a ‘must-have’ for every film music and Star Trek collection.”


The soundtrack will be officially released at www.lalalandrecords.com on Tuesday, June 5, 2012 at 1pm PST.



Visit La La Land Records for more information and to pre-order


Saturday, March 17, 2012

Ridley Scott: The Prometheus score, Jerry Goldsmith and Marc Streitenfeld

Ridley Scott:  The Prometheus score,  Jerry Goldsmith and Marc Streitenfeld


The following question was posed to Sir Ridley Scott at a recent Livestream event for the upcoming film, PROMETHEUS.

Will you make any reference to Jerry Goldmsith's score?
"Jerry Goldsmith's score was one of the major scores of the last 30, 40 years.  Jerry was who he was.  I did two films with Jerry.  I think the score is always incredibly important for me, because I tend shoot with score in mind.  I have never shot a film without a score in mind, but I'm sure I will one day.  This score is an evolution.  It's a script in itself, so I pay a lot of attention to that.  Marc Streitenfeld has done a very nice score for us.  This is the fifth score that he has done for me.  It's very important to me.  I'd say that a score is sometimes is as important as the visual." - Ridley Scott

Obviously, Sir Ridley Scott has been one of those directors who "get's it"  and it's sounding (and looking) like PROMETHEUS is going to something really special.  You can check out the full Q&A Session and the new PROMETHEUS trailer over at BleedingCool.com.  (Thanks to @stingray_travel for the heads up on this!)

So what does this get you a bit more excited for the film and score?

Tuesday, February 03, 2009

Epic Goldsmith Radio Celebration on Sirius/XM's Cinemagic


Epic Goldsmith Radion Celebration on Sirius/XM's Cinemagic


EPIC GOLDSMITH RADIO CELEBRATION!

Date: 2/1/2009

Varèse Sarabande Records and Sirius/XM’s Cinemagic launch a weeklong, 80th birthday celebration remembering and honoring the life and work of one of Hollywood’s greatest film composers of all time …Jerry Goldsmith.

Special guest host Robert Townson, who worked extensively with Goldsmith on 80 of his albums, will guide listeners on an extensive tour of the legendary composer’s extraordinary and enormous career. From such classics as Patton, The Omen, Star Trek and Chinatown to some obscure gems that will be a discovery for almost everybody, over 130 scores will be featured over the course of five, daily five and six-hour shows.

Beginning on Monday, February 9 at 4:00 pm EST/1:00 pm PST this very special celebration will continue each day at the same time. As a grand finale, all five programs will be run consecutively, all weekend long, beginning Saturday, February 14 at 12:01am EST.

Tuesday, February 10 would have been Jerry Goldsmith’s 80th birthday. Join us all week long to remember in music one of the greatest composers to ever write for film.

Jerry Goldsmith’s 80th Birthday Celebration will be available to all Sirius/XM Radio subscribers on Cinemagic, channel 76. Sirius/XM’s CINEMAGIC is also available online to subscribers and as a free trial.


Direct TV subscribers can also access Sirius/XM’s Cinemagic on channel 822.

Sunday, February 03, 2008

Rambo (Soundtrack) by Brian Tyler


Franchises Don't Die. They Just...Don't Die.
Review by Christopher Coleman

"Nothing is over! Nothing!"

Those were John J. Rambo's spirited words back to ol' Col. Troutman...way back in 1982...as Troutman and Rambo stood surrounded in the shot-up police headquarters in "Jerkwater, USA." Sure seems that Sylvester Stallone has taken those words to heart as he has, some 25 years later, finally brought his two iconic movie franchises: Rocky and Rambo, to a close. Now, when I first heard that another ROCKY movie was being made, I wept a little bit inside. ROCKY BALBOA came and went without much of any reaction from me. Some really seemed to feel the Rocky film had a fitting end and well executed. But, well, it sort of knocked me out...with boredom. Then I heard that another RAMBO was being made...and I wept inside...a lot. I was certain a true train-wreck of a film was on its way. Apparently, just like some "heroes" we know, some movie franchises just won't die. With one of the Hollywood's most beloved composers, Jerry Goldsmith, no longer around to write the score, I wept a little more. I couldn't help but think of the franchise being further butchered by some sort of hyper-electronic-grungy-guitar fest. However, with the announcement of BRIAN TYLER as composer, my inner-tears began to dry up.


Read the full review