Showing posts with label superman returns. Show all posts
Showing posts with label superman returns. Show all posts

Thursday, February 28, 2013

Superman and His Music - A Twitter Discussion

With the imminent return of Superman, via Zach Snyder's upcoming MAN OF STEEL, it's a sure bet JOHN WILLIAMS' original themes and scores for late-seventies, feature-film, iteration of Superman will be coming up in many forums and on countless social media platforms.  Add to this JOHN OTTMAN's exciting, recently released score for JACK THE GIANT SLAYER and his past connection to the Superman franchise (SUPERMAN RETURNS) and you get the following twitter conversation between Erik Woods (Cinematic Sound Radio), Christopher Coleman (Tracksounds), Dane Walker (Composer), Mark A. and Doug Adams (Author).

While some feel that JOHN OTTMAN could do more than a serviceable job scoring one of the upcoming STAR WARS films, not everyone agrees.  A large part of that disagreement comes from Ottman's treatment of Williams' well-known, well-loved, original themes for Superman.

Read through.  Judge for yourself.  And chime in!  Do you think John Ottman would make an acceptable choice to score one of the new Star War's films?  Did you enjoy his work for Superman Returns? ...


Wednesday, October 29, 2008

More Superman/ Super-Trilogy Talk from Mark Millar

More  Superman/ Super-Trilogy Talk from Mark Millar


In our first episode of THE SOUNDCAST we discussed superhero film scores and we specifically brought up the question of, "If Mark Millar's vision of a Superman reboot trilogy were to happen, who should write the score for it?"

Well, just to update the rumor-mill on all this - EMPIRE has recently published a new interview with Millar where he discusses more details about what he'd like to do with his proposed trilogy. After reading the short article, I have to admit...it sounds awfully ambitious and you can count me among the interested! Superman sitting alone on the planet earth with the Sun about to supernova? Yes...I do think that might be a pretty powerful conclusion to a trilogy.

Of course, he doesn't mention anything about who would be the ideal composer and he doesn't even reveal what "big Hollywood action director" he's been talking with. Whoever that turns out to be could give us a clue as to what sort of score we might be looking at should all this move past the internet-hub-bub stage.

Oh - one quote I do find peculiar, "I understand what Bryan Singer was trying to do, to pay homage to Richard Donner’s original vision, but I think you should pay homage by doing something completely different.”

Say wha?

Anyway, you can read the full article here.